Corner Violin Shop
Archive - March 2008

Weird Instruments: Viol da Gamba

[it's a monster]
No, it's not a sitar, it's a viol! The first I've ever seen.  A couple weeks back, we had a customer from Hastings College bring all kinds of interesting instruments for us to look at.  Many of them needed some major repair and restoration work done on the instrument.  I've taken some quick photos to document the 'before' shots.

A set of strings running through the bridge and under the fingerboard.


A carved scroll and so many pegs made it look like a millipede from afar.
Ornate artistry on the back of the violin.
Alex thinks that this this viol was likely made in the early 20th century (~1920's) in Germany.
[The "Viol" family]
Upon closer review of the instrument, Alex decided that it was better for this project to be handled by another close dealer-restoration friend of his, Jerry Pasewicz.
In case you're wondering what a viol is, a quick run down on this weird instrument's history.
A viol is a bowed string instrument that was developed in the 15th century and played throughout the Renaissance and Baroque eras.  The instrument has the characteristics of a violin and a cello but comes from a Spanish family of bowed but guitar-like instruments called the vihuela.  The Moorish rebab also had its early influence developing the "a gamba" playing position or holding it upright in the players lap or between their legs.As usual, I perused some more to find that there is quite a cult following for these chamber music instruments.Head on over to the Viola da Gamba Society of America (VdGSA)and you'll find a more comprehensive and interactive source of information.   There are sound clips, short videos, schedule of events, and even a publication.  Some one in the Iowa State Music Department also has collection of links related to all things viol.

A. Cavallo's Employee Handbook in the Draft

A. Cavallo's Employee Handbook in the Draft

Time to update you guys on the state of the shop.

Our soon to be repair woman, Maddy Mayer, spent the last week helping us out with repairs and rehairs at the shop. Our gopher of the shop, double bassist Matt Nicholson, has been promoted to full time status. Possible new hire positions on the horizon, we shall see.

Meanwhile, what's been going on with me. I've occasionally posted some local concert outings but have slowed down in the upkeep of the blog. Procrastination? I think not. I've just been a bit too exhausted from typing up that employee handbook.

I may have mentioned sometime ago that I was working on some kind of manual of shop procedures. From the collection of my chicken scratched notes and hidden text files, I've finally managed to sit down and piece them together.

If it wasn't for Maddy and Matt taking over my Amazon duties, I don't think I would have ever had the chance to make some great progress in the manual's draft.

You may be wondering, why the need for a manual Chris? The boss and his employees can teach you as they go. Well, I think that's true for any job but what I noticed was that this process can be extremely time consuming and costly on the business. During my first few months here, I was able to learn a lot by playing the role of a gopher and fetching after orders barked from Alex.

The typical scenario would involve him already at work with a customer and me in the background trying to be productive by anticipating what case or bow the customer might want. In walked a family with their children looking for new sized instrument to be fitted with. Alex with his hands full would ask me to help them out- it was more like asking me stall for time. Meanwhile Les wasn't no where to be around since he hadn't gone full time at the shop yet.

Costly to the business? Yes. The possibility for them to walk out and say they'd return but forget in the process after a week or so. It took about 3 months before I knew the workings of the shop and could confidently deal with customers. The informal training period could have lasted even longer if a new employee with no music background was hired.

It's not only the time and cost issues of training an employee that makes the manual so imperative but also establishing a standard set of procedures for the daily operation of the shop. The shop has grown as a result of the entrepreneurial ventures of captain "A" but it has also also brought on management, organization, and procedural issues.

It first started with me listing an eBay account. Then the management of Amazon orders. Blogging on a weekly basis. The latest is keeping current with the website and its photos. During all that time though, you still have to keep up with the clockwork of paperwork. I've managed to do my part of managing the online end of things, but the workshop procedure needs improvement as customers continue to return to us this spring. I hope that Matt can hold the fort down there until Maddy becomes a full fledged repair woman.

With my time here coming soon to a close, this employee handbook is where I can have the most impact before I probably head back to school. Yes, believe it or not, I'm headed back to school. It's come down to architecture at University of Michigan or University of Oregon. Who knows if I'll ever hear back from American University's film program:)
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OAYO Spring Concert

OAYO Spring Concert


OAYO Spring Concert
Sunday @4:00pm, March 9, 2008

The OAYO Youth Philharmonic, Youth Conservatory Orchestra and Youth Chamber Strings perform their final concert for the 2007-08 season. The final concert by the three OAYO ensembles will be performed in the Strauss Recital Hall on UNO's campus.
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Blogging some more when I return...

Sorry for the slowdown in blogging frequency.  This time, it's my turn to take some time off at the shop as I go career and grad school hunting.  It's also a good excuse to check up on a friend.Earlier, I was in New York attending a career forum for bilingual speakers.  Made me realize I've got my work cut out if I want work abroad, especially in Japan.  At the moment, I"m in D.C. to check out American University's film program.I'll be back on Tuesday and to post more how the shop's survived during my leave.  Alex will sure let me know all the highs and lows.  Plus, I may have a break from having to post weekly concert events.  A much more interesting post on a viol restoration projects still hasn't been finished and some photos of a folk instrument that we think was actually made here in Omaha Nebraska. That's it for now!

The Organ Vesper Series: The Impromptu Duo

<div><b>The Organ Vesper Series: The Impromptu Duo</b><br>Presbyterian Church of the Cross<br>1517 South 114 Street, Omaha NE<br>Sunday, March 2, 3:00 p.m.<br><a .."try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_BowdhFEXU9w/R8MDJL3KopI/AAAAAAAAAgU/MHP4PHmTfbI/s1600-h/CBeardreduced_000.gif"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://bp3.blogger.com/_BowdhFEXU9w/R8MDJL3KopI/AAAAAAAAAgU/MHP4PHmTfbI/s400/CBeardreduced_000.gif" alt="" id="BLOGGER_PHOTO_ID_5170980253489341074" border="0"></a>Christine Erlander Beard, flute<br>Michelle Vigneau, oboe<br>Susan Tomkiewicz, oboe<br>Victor Asuncion, piano<br><br>FREE ADMISSION</div>

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